Mother Culture Croons All Night

image of the book coverThis week­end I began recov­ery from read­ing Ish­mael. Objec­tively, I prob­a­bly took an extra-​​hard hit from because of some unprece­dent­edly awful aller­gies. Even so, it’s hard not to won­der how we’re sup­posed to move for­ward from this damn book. Quinn him­self, in an author’s note at the back, refers to it as much more than a book. I see its foot­print, or the prints of sim­i­lar feet, every­where now.

As promised, at line at the Fly­ing Star, I see Mother Cul­ture peer­ing from behind the prices. At work, I stare at my com­puter screen, paus­ing on how irrel­e­vant my job – any con­tem­po­rary job – is to the con­tin­u­ing sur­vival or mean­ing of our species. I smell her in my car exhaust, hear her in the rat­tle of allergy pills in an ever-​​emptying bot­tle. I think about being caged by civ­i­liza­tion, and how sat­is­fied I am with this life. How with my priv­i­leges that sat­is­fac­tion is easy. I won­der how I could escape, if I wanted to badly enough. I fig­ure, sure I could; we all could.

This brings back that ter­ri­fy­ing point: every indige­nous cul­ture, every indige­nous lan­guage that is lost now is another that has been the result of evo­lu­tion­ary refine­ment reach­ing to the begin­ning of our species. Every Leaver cul­ture stamped out is one fewer that can help us (humans) nav­i­gate our future. This must be what Jill Mil­roy meant when she said every­one is indige­nous, but not every­one is prac­tic­ing or liv­ing in their own country.

I’m begin­ning to tri­an­gu­late Ish­mael with Custer Died for Your Sins and last year’s SEED dia­logue. I sud­denly feel I have a frame­work for under­stand­ing Jill’s frus­tra­tion with the myth of progress and the need for time travel:

The West­ern view wants to escape place and time. Time travel is allur­ing, but it’s another escape, and unnecessary. “Progress, ‘the best is yet to come’ is a dan­ger­ous view.” To an abo­rig­i­nal view, the best thing that could hap­pen is the Dream­ing, which is already happening.

I think I’m begin­ning to get it now, in a way I only intu­ited before: if your cul­ture is the com­pacted & dis­tilled out­put of three mil­lion years of wis­doms, of course you will see time flex­i­bly. Ours – that of the Tak­ers, the col­o­niz­ers – is the only cul­ture the world has ever known that rein­vents itself – and thus rein­vents time – with each gen­er­a­tion. Delo­ria touches on this, too, when he laments that Amer­i­can cul­ture insti­tu­tion­al­izes rev­o­lu­tion. This is hav­ing a huge effect on me already, the first of it appear­ing over the week­end.

image of an Aboriginal Dreaming painting

Art from the Dream­ing should be mys­te­ri­ous to us because we have no ref­er­ence to its ances­try, not no con­nec­tion to its spir­i­tual identity.

I won­der what will be left when we return to pre-​​Agrarian ways. I’m com­forted that while there will likely be no books, there will still be sto­ries, and room for their bards. If I have my words, I can always make my peace with the universe.

That’s a self­ish wish. Ishmael’s explic­itly about edu­ca­tion, not seces­sion; team­work, not rogu­ing. But I sup­pose each of us must rec­on­cile our lives as we know them with what it seems is our des­tiny. Read the book. It’ll reboot your entire per­spec­tive. Then know you can come here to dis­cuss it. Until there is no here. Then, we’ll have to face each other as we speak.

Comments
6 Responses to “Mother Culture Croons All Night”
  1. I almost feel like wel­com­ing you to human­ity. It’s refresh­ing, isn’t it? A lit­tle scary, but com­pletely cathar­tic. To under­stand that it’s not US as a species that’s the prob­lem with the world, but only one cul­ture through­out the his­tory of human cul­tures that is prob­lem­atic, is a great relief.

    But don’t jump to con­clu­sions too soon. There most cer­tainly will be books if humanity’s still around 200 years from now. It’s just they won’t be mass pro­duced. And in this case, you’ve got a jump on the rest of the world’s writ­ers because you already know how to build a book.

    Also, while it’s still fresh in your mind, read The Story of B. It’ll “reboot your entire per­spec­tive” all over again. Hon­estly, I’ve read Quinn’s Ish­mael series close to a dozen times in the six or so years I’ve known about him, and they’re still enliven­ing, enlight­en­ing and inspiring.

    And I’m so glad that when we now talk about top­ics related to those in Ish­mael that I can stop cen­sor­ing my lan­guage and just spit out “Tak­ers,” “Leavers,” and “Mother Cul­ture,” among other terms, to get at the point more directly. It’ll save me a world of self-​​editing dur­ing con­ver­sa­tion. And it gives us a com­mon ground from which to make all kinds of new con­nec­tions to the ideas already spin­ning in our heads and menifest­ing in the world.

    When we get together to talk about your “les­son plan” for the upcom­ing Con­stan­tine col­lab­o­ra­tion, I’d also like to exam­ine Ish­mael a bit and see if we can’t answer some of the ques­tions we’ve both got con­cern­ing the material.

    • Adam Rubinstein says:

      I think my con­cern is a lit­tle more apoc­a­lyp­tic than yours, so thanks for reign­ing me in some. It’s a good reminder that books will likely still be around. I’m still shaken by think­ing of sto­ries as some­thing that are trapped by writ­ing, though, á la Thoth, and books are seem­ing more prob­lem­atic to me than they ever have.

      Yes, I’ll get on The Story of B, and yes, don’t hold back any­more! Quinn’s given us such ele­gant short­hand for these ideas, it’s really as impor­tant a gift as the dis­cus­sion. He’s really affected me, on lev­els both craft and phi­los­o­phy, and I’ve already planned him into my speech. God, that’s due soon, huh?

      • Apoc­a­lyp­tic visions still hold weight. Just look at the state of the civ­i­lized world right now. It’s a mess, to say the least. But that doesn’t mean it has to, or will, end that way.

        And when should we have another sit-​​down? Are you open this week? I’ve got no com­mit­ments Thurs­day or Fri­day after work, and Saturday’s com­pletely open. Maybe Sun­day, too. Let me know if you can make the time on any of those days.

        • Adam Rubinstein says:

          I’m try­ing to plug Delo­ria and other Indian & indige­nous voices into the frame­work Ish­mael pro­vides. I think this rela­tion­ship might be the key com­po­nent I’ve always missed in appre­ci­at­ing any­thing like an Indian per­spec­tive. No won­der they remain pissed, and hor­ri­fied! They’re try­ing to save not only their cul­tures, which have served them well since myth­i­cal time – they’re plan­ning to out­last us.

          Shit’s com­pletely bananas right now, but I’m try­ing hard to get a lec­ture draft in order by the end of the week. I’d feel it’s a waste of time to sit down before I can hand it off for com­ments, at least. Let’s say Sat­ur­day ’round 11:00?

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What's all this, then?

I’m writ­ing a book to under­stand my hometown’s dis­in­ter­est in its own his­tory, and my role in that. It’s sort of become a novel. This is the full story.

This is my play­ground. It reflects and pre­dicts what’s hap­pen­ing in the book.

Things I dis­cuss: East­ern Mass. his­tory, sto­ry­telling, book­mak­ing, time travel, poetry & nov­els, writ­ing craft, dreams, pub­lish­ing, indige­nous per­spec­tives, spir­i­tu­al­ity, sex, adop­tion and par­ent­ing, research, and what­ever I can’t get outta my head.