Production & Assembly

It occurs to me in my last post I didn’t give pre­cise instruc­tions for your printer:

• You want the doc­u­ment double-​​sided.
• You want it UNSTA­PLED. Print­ers and job shops have enor­mous machines with expen­sive main­te­nance, and have to charge you through the nose for bind­ing. 20 min­utes and the cost of the sta­pler will come in far cheaper for more than 30 books in just about all cases.
• Remem­ber to use the paper you picked out. Bring it to them if you bought it else­where, and show them exactly how you want every­thing printed. Any printer worth their salt will pre­fer an over-​​explained job to an under-​​explained one.

So now you’ve got your books back from – in the form of a few stacks of paper, prob­a­bly in a box. Sep­a­rate the cov­ers, put the piles side-​​by-​​side on a flat sur­face you’re com­fort­able sit­ting at, and onto which you can eas­ily apply pres­sure from above.

Pull out that long-​​arm sta­pler, load it up with Pre­mium sta­ples, set the ruler-​​guide to half the length of your book, set your cover over the guts and make one book. Fold it by lin­ing up the edges and make sure the sta­ples are appear­ing right on the fold. If so, keep going. If not, realign the guide until they do.

Here’s also the time to sew, glue, mag­ne­tize or divine an entirely new method of bind­ing. If not sta­pling, do that now.

Now, the odds are not high that you have a ream cut­ter, though it’s pos­si­ble you have access to one. If not, ask the printer how much they’ll charge per side to trim books for you. If it’s cheap, get the top, bot­tom and right sides trimmed; if expen­sive, go with just the right. It removes the affect of creep, which we dis­cussed ear­lier, and brings out the class in a seri­ous way.

If you don’t have access to a book clamp (known as a Copy Press), stack your books in reverse-​​facing piles of four and grab some dic­tio­nar­ies to put on top. Let sit for a few hours, at least, and serve.

Con­grat­u­la­tions. You’ve now made books for your editor/​readers. In just a few weeks, if you can wres­tle them back with com­ments, be right time to edit.

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What's all this, then?

I’m writ­ing a book to under­stand my hometown’s dis­in­ter­est in its own his­tory, and my role in that. It’s sort of become a novel. This is the full story.

This is my play­ground. It reflects and pre­dicts what’s hap­pen­ing in the book.

Things I dis­cuss: East­ern Mass. his­tory, sto­ry­telling, book­mak­ing, time travel, poetry & nov­els, writ­ing craft, dreams, pub­lish­ing, indige­nous per­spec­tives, spir­i­tu­al­ity, sex, adop­tion and par­ent­ing, research, and what­ever I can’t get outta my head.