Power in Small Numbers
We want our books to be the most exciting in the industry. We want our best work to invade others’ lives, multiply our notoriety, earn respect among fans and peers. It’s normal. We don’t want our best work called “pretty good.” After that much revision, we want the sonofabitch revered. It’s not the fear of failure that’s got me down. I’ve got an outrageously high standard, backed by my editor’s, and when poems aren’t holding their own, they get fixed or dropped. This book isn’t…
The Packrat and the Taxonomist
Two things: 1. I’m a sworn packrat. I’ve only ever defeated the instinct with greeting cards, which after reading I have no idea what to do with, and while traveling for long periods. 2. Something my 9th grade English teacher/10th grade advisor/3-year varsity football coach (I was the manager) said once that I’ve never forgotten: “We remember things because we assign them meaning.” Like everyone, I have a storehouse of childhood memories I can’t explain. That is, I can’t explain why I remember them. When…
More by Way of Coincidence
Coincidence has been a huge force in writing this book, from the project origins to the endless, almost freakish overlaps Pat and I share (was she best friends with my 10th grade honors English teacher, when they two were but 21-year-old* pups at Yale? Tune in next week, same Dredge Time, same Dredge URL!) But what happened last weekend may be hard to top for a while. A freelance client, referred to me by the lovely Darby Phởtos at the Harwood Art Center, comes into…
Recording Begins Tomorrow
I’ll be recording Freshwater Dredge tomorrow. The options are podcast or special release to the readers of this fine blog, whichever gets more chicks makes sense in the long haul. Of course, my marketing brain’s about as sophisticated as a crowbar; I’d love your ideas here. Keep your eyes open for tracks around October. I figure a release of 39 weekly poems will take me through May, and from there I may release some oddities/rarities that’ll never make it into the books.
Just Gimme More Time
It’s been decided. I’ll be in Albuquerque another two years. The Wellwater writing will be done in time for my 28th birthday. Thereupon my (hopeful) director and I will begin working the one man show, likely a bit shorter than the book. I’m strongly considering a podcast of the whole thing, with a weekly release of Freshwater in anticipation of the new one. Recording could begin as early as this weekend. More on that later.
Things of the Beforehand and the Ongoing
2.5 years ago a thread appeared on the edge of my hometown’s history, the history like a very expensive sweater. Naturally curious and counting myself a leftist to the bone, I started pulling. All kinds of things started to fall out from under the sweater. I wrote a book of poems about the town as it appeared to me, as a kid, and broadened my experience to include events that didn’t happen, for reasons I’ll maybe get into later. The book was called Freshwater Dredge.…
Y’ever wrote something you didn’t understand later?
> Ever publish it that way, in some unreproducible brain-state in which it made perfect sense? I think I finally have this poem under control. I mean, it’s a first-ish draft of the second take of a poem which had, in all, three poems in its sequence. Ha, wasn’t that clever. I’ve been trying to rewrite “Dreams and Streets II” for about a month and a half. I see hope now. I see the street names from the other end of the block.
Is the real bastard of second grade
knowing that what you’re doing is so maddeningly simple, yet, so impossibly difficult? I mean Phởnetics workbooks, mostly. But book reports, too. I remember clearly thinking how simple it was to do, but how daunting the pile of it, how little I wanted to do it.I mean, thank god for it, for the content. But fuck if I’d teach my children that way.
The envelopes!
The vellum envelopes! The first box just arrived! Fuck yeah! ( )
Announcing... Freshwater Dredge
A lo-res approximation: Front: :Back This is the culmination of much of the last year’s work on a book of and about Wellesley, Massachusetts. At least, that’s where it starts. And ends. More than anything, it’s an exploration of memory and identity. And it’s the first of three. It’s now available for pre-order. I’m doing the pre-order thing because this is an expensive project. Of all the books I’ve ever made, this is by far the most gourmet. Star St. Germain worked relentlessly on the cover…

Keep On Dredging