Criminal Elistism

elitism-poster

How many times has this hap­pened? You want to deepen your under­stand­ing of some­thing. You get a book. You start read­ing. The writ­ing is so dense, or need­lessly com­plex, you can’t get through it, much less enjoy it. This is crim­i­nal elit­ism. Shit’s gotta stop.

Buoyed

rowlandson

Tues­day after­noon I went over to Pat’s place and dug through boxes-​​and-​​boxes-​​and-​​boxes of books with her hus­band, John. To give a sense of the rar­ity and qual­ity there, a good deal of her col­lec­tion will be donated to UNM’s library archives, and prob­a­bly another university’s.

Native Perspectives

CusterDied

I’ve finally been read­ing Custer Died for Your Sins. Also, I started read­ing Native Appro­pri­a­tions last week­end, a sharp and insight­ful read on indige­nous pres­ence in Amer­i­can pop cul­ture. Either one alone is hum­bling. Taken together, it’s razing.

What We Have Here is a Failure to Communicate

Toward the end of Pat’s book, Wee­t­a­moo has some hard con­cerns about writ­ing, itself. Young Meta­com has learned to write the fig­ure A. He pro­nounces it for her, and explains the white men’s util­ity in writ­ing  –  and the Indian need, there­fore, to be con­ver­sant in it. I had to stop read­ing a while after I saw her response: …What if, when­ever we wanted a story, we could just reach out and read it from a paper, instead of wait­ing for the right time and place and…

Next Levels of Dramatic Irony

george-mcfly-murdered

Your expe­ri­ence as a stan­dard reader: Toward the end of Pat’s ren­di­tion of Weetamoo’s diary, the sachem-​​​​to-​​​​be is finally called for her adult­hood rite. The year is 1654. She’s been antic­i­pat­ing it most of the book; she’ll spend sev­eral days and nights in a sweat­lodge, tend­ing a fire and wait­ing for con­tact from the non­ma­te­r­ial world. In her two visions, a deer she’d uncer­e­mo­ni­ously killed leads her through the win­ter night to an impor­tant fish­ing area to the Pocas­set, down­stream from a water­fall. The sec­ond night, the deer…

Oh, Yeah… Slavery

Some­times I jump­start new areas of inter­est in this book by googling gen­eral his­tory. Links daisy­chain, and soon, BAM. A cor­ner­stone of the story. Today’s les­son is no less dra­matic than other dis­cov­er­ies (Metacom’s War; the project’s ori­gins): let’s start talk­ing about North­ern slav­ery. This arti­cle on Boston.com (from Sep­tem­ber of last year) makes a good start­ing place. I’m far from an expert the arti­cle caught me by sur­prise, both for its con­tent and my igno­rance. So I don’t expect this post to serve for…

Redemption

Just now, read­ing Sex at Dawn in the Captain’s Chair in the liv­ing room, I had one of those Impor­tant Moments. A few years back a friend asked if and how my writ­ing redeems its dark premises. While I stared through the wall, he sug­gested “beauty.” That answer always sounded like a copout. The words can dress the sub­ject ten­derly, but the sub­ject remains dark, bit­ter, dis­turb­ing. Untrans­formed. But all this talk of humans fight­ing and caging our sex­u­al­ity by insti­tu­tion­al­ized “pair bonding”  –  on top of making…

Flintstonization

image of Flintstones at X-mas, with huge red letters reading, "Don't Do It"

I’ve been read­ing Sex at Dawn: The Pre­his­toric Ori­gins of Mod­ern Sex­u­al­ity. Along the path to claim­ing that humans are really bad at monogamy, authors Ryan and Jethá make a very impor­tant point about fram­ing and per­spec­tive: we can’t pro­duc­tively cast old worlds in the mold of the present. It’s like tem­po­ral hege­mony. In the same way we can’t pro­duc­tively look to other cul­tures exclu­sively through the moral frame of our own, we can’t the­o­rize about ear­lier ones with cur­rent behav­ior pat­terns as a guide.…

I miss you, Pat

image of book cover

I’m read­ing my late editor’s Wee­t­a­moo (pro­nounced Weh-​​​​táh-​​​​moh) book, Heart of the Pocas­sets. It’s a heavily-​​​​researched, 95% imag­ined diary of the Pocas­set sachem at 14. Pat wrote it for Scholas­tic, for those lucky eighth-​​​​graders with an Indian His­tory unit. It’s sim­ple and refresh­ing, if light-​​​​weight for my needs. An easy lit­tle recap after the over-​​​​saturated and dis­turb­ing Mayflower. Weetamoo’s par­ents man­date that she find time each day to learn patience. Because the his­tor­i­cal Wee­t­a­moo didn’t read or write (her cul­ture didn’t use those tech­nolo­gies) it’s a…

Three Shouts of "Huzzah!"

image of Metacom

A stom­ach bug this week afforded me time to fin­ish Mayflower. The epi­logue, where Philbrick draws most of his con­clu­sions, is a fat ham­mer to the chest. And while there are many ideas worth dwelling on in there, one ques­tion has me absolutely enthralled: How did Meta­com (aka Philip) go from the most hunted man in New Eng­land in the late 17th cen­tury to a mytho­log­i­cal proto-​​​​American freedom-​​​​fighter in the early-​​​​19th? Philbrick, under­stand­ably, rushes through the inter­ven­ing 150 years, and left me pon­der­ing. As I said to…

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What's all this, then?

I’m writ­ing a book to under­stand my hometown’s dis­in­ter­est in its own his­tory, and my role in that. It’s sort of become a novel. This is the full story.

This is my play­ground. It reflects and pre­dicts what’s hap­pen­ing in the book.

Things I dis­cuss: East­ern Mass. his­tory, sto­ry­telling, book­mak­ing, time travel, poetry & nov­els, writ­ing craft, dreams, pub­lish­ing, indige­nous per­spec­tives, spir­i­tu­al­ity, sex, adop­tion and par­ent­ing, research, and what­ever I can’t get outta my head.

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